Featuring Scumbag Rick, this chapter turns tension into performance and gives the album another voice inside its wider argument about respect, pressure and refusing to be minimized.
The feature matters because B2BAL is not written like a diary locked in one room. Other voices enter the story, and on Got a Problem the chemistry pushes the confrontation outward.
The record operates as a pressure point between the deeply personal first stretch of the album and the run of songs that gets increasingly combative.
A recurring B2BAL question is whether other people get to define your value. This track answers through conflict rather than reflection: when the pressure becomes direct, so does the response.